– Day 3 –
The view from Arthur’s Seat, October, 2013
As a few of you might already know, I’ve just gotten back from a whirlwind trip to UK. As I nursed this coffee and rubbed my bleary eyes this morning at the respectably normal hour of 8:32, I accepted with satisfaction that I am officially (more or less) completely over jet lag, and committed to rejoining Life as I Know it.
Saying I “visited the UK” feels a bit misleading. Actually, saying that I had been visiting anywhere at all feels a bit strange. We have been slammed in work all summer, set back after set back taking us down a myriad of foundational roads we had perhaps naively assumed would have already been constructed prior to our arrival. That old “There’s a hole in my bucket” song comes to mind as I write this (maybe compounded with Beethoven’s ninth?). Compounded with huge changes in my personal life, two moves, a bike accident and arguably the most colds I’ve had in my life (that’s what working in a hospital will get you!): it’s been a crazy year.
I feel as though I’ve had to shelve a lot of my personal thoughts to keep things together and stay focused. I’ve thrown myself into work with a vengeance and spent as much of the balance as I can outside, bike riding or swimming to take my mind off things (water heals all wounds). As we passed in our final draft report two weeks ago, I decided to ask for the Friday off to recuperate. I realized a few hours later that I needed more than a long weekend, and the next day (thanks to my incredible boss) I was able to take the following week off instead – and four days later I was in Scotland.
Reading Farther Away, August, 2013
Staring at my bookshelf this morning (I spend a lot of time staring at my bookshelf), I realized that I had just experience what Franzen was trying to achieve during his terrifically farther, more exotic trip. The title essay of Jonathan Franzen’s most recently published collection of non-fiction essays, Farther Away, is just over 40 pages long (originally published here in the New Yorker, in April, 2011). I have an uncomfortable relationship with Franzen, he’s the kind of author that gets under your skin, challenges you and makes you feel a bit uncomfortable. I’ve read both Freedom and The Corrections and loved them most for the discussions I was able to have afterwards. The bright blue hardcover dust jacket is simple, the only diagram instructions for folding piece of paper into a boat, and the essays span from personal reflection, to activist essays on the plight of endangered birds and the panda.
In Farther Away, Franzen takes a similarly prompted whirlwind trip to Mas À Fuera, a remote, tiny island (44 km sq) located about 750km off the coast of Chile. It’s name literally means “farthest away;” the closest island is Robinson Crusoe’s Island, where the true story inspiration behind the shipwrecked survivor tale actually took place. Franzen sets the stage by describing his ridiculous trek to reach this far flung land and the abysmal weather and challenges he faced to achieve total isolation and a break from his own personal life. Effectively, this was a big part of what I wanted to do by going on my own trip. I needed to physically assert the distance I’ve been feeling with my current life, and to emotionally, professionally and psychologically completely unplug: to quite literally weather the storm. Unlike Franzen, I couldn’t commission a boat to take me 750km off the coast of Latin America, I was also physically exhausted and low on survival gear.
I needed to go somewhere where people would speak English, where my credit cards would work and where I would feel safe, but also a place where I could be afforded the luxury of knowing someone well enough I could be silent with them. Someone once told me that Rilke wrote a lover’s most important duty to another is to defend their solitude. I was fortunate enough to have a good friend in Scotland who would host me. There was no need for being “out there,” every day, being challenged by strangers and having my loneliness invaded. By being with someone with whom I could say anything, I was able instead to say nothing at all. I spent at least five hours outside everyday just walking. Sometimes I would listen to music, but more often than not I would just walk. There was physical distance and a mental grappling that needed time and physical space, wide open spaces, to process everything that has been going on over the past year. I didn’t even need to consciously think about it, I just needed to give it time to percolate. To have one other person there, a singular familiar lens with whom you can look back and reflect on your life, provide updates to, this is also helpful on crafting your own perspective. These self-made stories we tell to our old friends are effectively the tenuous threads that string our lives together through time. Franzen captured the need for these communiqués through his relationship with David Foster Wallace:
The curious thing about David’s fiction, though, is how recognized and comforted how loved, his most devoted readers feel when reading it. To the extent each of us is stranded on his or her own existential island…we gratefully seized in each new dispatch from that farthest away island which was David…fiction is a solution, the best solution, to the problem of existential solitude.
Edinburgh was the opportunity to provide my own dispatches and updates to and from my life from a distance, to be forced to reflect back and articulate about my own island, to physically manifest this solitude and journey through seven leagues of darkness to daylight.
Please note, for readability posts this month are capped at 1000 words.
Edinburgh, October, 2013